The End of Never-Too-Late Songs (Too late Blues, Regie John Cassavetes)
The End of The End of Ventura-ventures (Classe tous risques, Regie Claude Sautet)
The End of Kitty Kitty Bang Bang (Walk on the Wild Side, Regie Edward Dmytryk)
The End of Noms de Plume (Bonjour Tristesse, Regie Otto Preminger)
The End of MacGuffins (or Lions in the Scottish Highlands) (The 39 steps, Regie Alfred Hitchcock)
The End of Never Ending Ends (Entr'acte, Regie René Clair)
The End of Tableaux Vivants Listening The Ricotta Twist (La Ricotta, Regie Pier Paolo Pasolini)
The End Of Hospitality (Die Sehnsucht der Veronica Voss, Regie Rainer Werner Fassbinder)
The End Of Letter-lovin’ Birdmen (Le Corbeau, Regie Henri-Georges Clouzot)
The End Of Carte Blanche (A Streetcar Named Desire, Regie Elia Kazan)
The End Of Rawhide Buckos (My Darling Clementine, Regie John Ford)
The End Of Wagner On The Hi-Fi At Top Volume (Les Cousins, Regie Claude Chabrol)
The End Of Aping Cats In Night-shrouded Alleys (Odd man out, Regie Carol Reed)
The End Of Perfect Capers (Du rififi chez les hommes, Regie Jules Dassin)
The End Of Sleeping Naked Under Furs (Nanook of the North, Regie Robert Flaherty)
The End Of Howyergoinmateorright? (Australianese) (They’re a Weird Mob , Regie Michael Powell)
The End Of Deep Focus (Citizen Cane, Regie Orson Welles)
The End Of Meeting Ex-pats In Small-town Off-season Lake-side Resorts (La donna del lago, Regie Luigi Bazzoni & Franco Rossellini)
The End Of Championships, Which Are Just One Punch Away (The Set-up, Regie Robert Wise)
The End Of $ 100,000 In The Sun (Cent mille dollars au soleil, Regie Henri Verneuil)
The End Of Buxom Boogie-Woogie (Riso amaro, Regie Giuseppe De Santis)
The End Of Spending A Year Up The Amazon (The Lady Eve, Regie Preston Sturges)
The End Of Happy Ends In Terminal Situations (3:10 to Yuma, Regie Delmer Daves)
The End Of Happiness Through Painting (Scarlet Street, Regie Fritz Lang)
The End Of Bogey Nights (San Quentin, Regie Lloyd Bacon)
The End Of Glorious Comings And Goings (I Want To Be Let Alone) (Grand Hotel, Regie Edmund Goulding)
The End Of Who Did What To Whom And Why (Anatomy of a Murder, Regie Otto Preminger)
The End Of Veda, Vidi, Vici (Mildred Pierce, Regie Michael Curtiz)
The End Of Forgotten Gems (Christmas in July, Regie Preston Sturges)
The End Of Director’s Cuts (Les yeux sans visage, Regie Georges Franju)
The End Of Mauplaisirs (Le Plaisir, Regie Max Ophüls)
The End Of Once-debonair Heroes (North by Northwest, Regie Alfred Hitchcock)
The End Of Upbeat Dénouements (All I desire, Regie Douglas Sirk)
The End Of Singing Some Jabberwocky (Modern Times, Regie Charlie Chaplin)
The End Of Verisimilitude (Killer's Kiss, Regie Stanley Kubrick)
The End Of Thousand And One Magic Sights (Die Abenteuer des Prinzen Achmed, Regie Lotte Reininger)
The End Of White-Hot Thrills And Blood-Red (Hammer-esque) Kisses (Kiss me deadly, Regie Robert Aldrich)
The End Of Individual Pursuits (Ladri di biciclette, Regie Vittorio de Sica)
The End Of Hearing The Truth Of What Is Going On In Chiaroscuro (Lola, Regie Rainer Werner Fassbinder)
The End Of Good News (Sweet Smell of Success, Regie Alexander Mackendric)
The End Of Playing B(rando) and B(ernie) (On the Waterfront, Regie Elia Kazan)
The End of Change without Make-up (Le Testament du Docteur Cordelier, Regie Jean Renoir)
The End of (California) Dreaming (Chungking Express, Regie Wong Kar-Wai)
The End of Never-ending Parties (El Ángel exterminador, Regie Luis Buñuel)
The End of Tiny, Scrappy Survivors (Le Notti di Cabiria, Regie Frederico Fellini)
The End of Soft-eyed Youngsters (The young one /La Joven, Regie Luis Buñuel)
The End of Rain at the Right Time (Der Untertan, Regie Wolfgang Staudte)
The End of Return and Resumption (Muriel ou le temps d’un retour, Regie Alain Resnais)
The End of Role Reversals (L’Hippocampe, Regie Jean Painlevé)
The End of Scavenger Hunts (My Man Godfrey, Regie Gregory La Cava)
The End of Auspicious Debuts (Der Schatz, Regie Georg Wilhelm Pabst)
The End of Parler d’Amour (Ma nuit chez Maud, Regie Eric Rohmer)
The End of Campy Touches (Iwan Grosny, Regie Sergei Michailowitsch Eisenstein)
The End of Rough-Stuff (Out of the Past, Regie Jacques Tourneur)
The End of Herrings for Tea (Spring and Port Wine, Regie Peter Hammond)
The End of Idly Warbling “As Tears Go By” (Made in U.S.A., Regie Jean-Luc Godard)
The End of Definitive Loners (The Asphalt Jungle, Regie John Huston)
The End of Uncredited Cameos (Le signe du Lion, Regie Eric Rohmer)
The End of Eh… What’s up, doc? (Bully for Bugs, Regie Charles M. Jones)
The End of Celestial Immortality (Le Testament d‘Orphée, Regie Jean Cocteau)
The End of Exhibitionistic Cover-ups (The Lady from Shanghai, Regie Orson Welles)
The End of Telling Untold Stories (A child is waiting, Regie John Cassavetes)
The End of Stalwart and Stubborn Truth (The Servant, Regie Joseph Losey)
The End of Thrilling Flashbacks (The Killers, Regie Robert Siodmak)
The End of Festooning the Trees (Lásky jedné plavovlásky, Regie Miloš Forman)
The End of Baths in Venetian King-sized Tubs (Eva, Regie Joseph Losey)
The End of A for Accomplishment (Crossfire, Regie Edward Dmytryk)
The End of Built-in Assurances for Mexican Standoffs (The Big Steel, Regie Don Siegel)
The End of Sure Cures For Low Blood Pressure (Murder, My Sweet, Regie Edward Dmytryk)
The End of Stage Potboilers (The Entertainer, Regie Tony Richardson)
The End of Home Sweet Home (Repulsion, Regie Roman Polanski)
The End of Panache (The Criminal, Regie Joseph Losey)
The End of Conjugal Fidelity (Anna Boleyn, Regie Ernst Lubitsch)
The End of Dwell in the North in the Green Country (Poor Cow, Regie Ken Loach)
The End of Seeing The One You Love Under Water (L’Atalante, Regie Jean Vigo)
The End of Side Leaps (The Sleeping Tiger, Regie Joseph Losey)
The End of Enfants en Sucre (Poil de carotte, Regie Julien Duvivier)
The End of Family Ties (La Terra trema, Regie Luchino Visconti)
The End of Rock-Paper-Scissors (À propos de Nice, Regie Jean Vigo)
The End of Pizazz (L’Avventura, Regie: Michelangelo Antonioni)
The End of Temper and Tenderness (Casque d'Or, Regie Jacques Becker)
The End of Guardian Genies (Der Golem, wie er in die Welt kam, Regie Paul Wegener & Carl Boese)
The End of Ménages À Trois (Jules et Jim, Regie François Truffaut)
The End of High-minded Seriousness (Alphaville, Regie Jean-Luc Godard)
The End of Classicistic New Wavers (Bob le Flambeur, Regie Jean-Pierre Melville)
The End of Atmosphere Galore (The Big Sleep, Regie Howard Hawks)
The End of Boisterously Dancing (Momma Don't Allow, Regie Karel Reisz & Tony Richardson)
The End of Whispered Adieus (Le Silence de la Mer, Regie Jean-Pierre Melville)
The End of Rebellious Glamour (Billy Liar, Regie John Schlesinger)
The End of the Beauty of Seduction (La Notte, Regie Michelangelo Antonioni)
The End of Tea and Sympathy (Miracolo a Milano, Regie Vittorio De Sica)
The End of Playing Tag (La Règle du Jeu, Regie Jean Renoir)
The End of Highly Sentimental Reconciliations (Look back in Anger, Regie Tony Richardson)
The End of Bare-legged Somersaults (Les Dames du Bois de Boulogne, Regie Robert Bresson)
The End of Ardent Friendships (Mädchen in Uniform, Regie Leontine Sagan)
The End of Quest for Meaning (Ikiru, Regie Akira Kurosawa)
The End of Unforgettable Melodies (Touchez pas au Grisbi, Regie Jacques Becker)
The End of Helter-Skelter in School (Zéro de Conduite, Regie Jean Vigo)
The End of Big Faithful Eyes (Umberto D, Regie Vittorio De Sica)
The End of Playing Spoiler (Les Diaboliques, Regie Henry-Georges Clouzot)
The End of First-Impression-Knock-outs (Accident, Regie Joseph Losey)
The End of Reinflaming Passions (Cronaca di un amore, Regie Michelangelo Antonioni)
The End of Bohemian Life (Paris nous appartient, Regie Jacques Rivette)
The End of Coups de Foudre (Ossessione, Regie Luchino Visconti)
The End of Big Nights (The Big Night, Regie Joseph Losey)
